I want this on a t shirt (to mess with everyone's minds)toodle pip
Booze, news and views from a drunken opinionated fool who can't spell very well, may well repeat himself, and can't blame it on dislexia





I finally finished this yesterday, as I have been trying to finish it since going away with work a few weeks ago. Buffalo Bill is prone to exaggeration, and some of it is repetitive, but what a life he led. They certainly were hard bastards back then, and his tales of Wild Bill Hickok towards the end were excellent.

Jim Denevan is an American chef who creates temporary land art . A lot of work is obviously involved for something that will not last very long. I'm impressed both with the work and his dedication.





Based on the Charles R. Jackson book of the same name, but without any mention of Don Birnam's (played by Ray Milland) homosexual experience when he was younger, or thoughts of murder at the end. This tells the story of an alcoholics weekend and his downward spiral. It bugged me, as l kept trying to remember what else l had seen Ray Milland in, until l finally remembered it was Dial M for Murder. Much better acting from Ray Milland than you usually get in most of these old films (in fact he won an Oscar for it), and not the kind of film l would usually have expected from Billy Wilder, as, although l know he did thrillers at the start of his career, l always associate him with Some Like It Hot, which (of course), is class. Now where did l hide my bottle of whisky?
This is the erection of the viaduct over the Oldman River at Lethbridge, Alberta, circa 1908. 







Petra (Margit Carstensen ) is a fashion designer who falls in love/wants to possess Karin (Hanna Schygulla), but she (Karin) decides to go back to her husband. Petra is sadistic in her words and actions, especially to her assistant, Marlene (Irm Hermann), who appears to worship Petra. After many arguments and cruelty (and lazing on a sunny afternoon), Petra is left apologetic and swears to be nicer. This is when Marlene decides to leave as she enjoyed her own masochistic side of the relationship. Directed by Rainer Werner Fassbinder and based on his own play, the above makes it sound like there is a lot of sex. There isn't, and there is mostly lots of talking regarding the women's relationships. Exciting eh?


As l remembered from seeing this years ago, the plot could not make up it's mind whether it was a comedy or horror film. James Whale directed, so he certainly has a lot to answer for. It stars Claude Rains as Dr. Jack Griffin, (although you do not see him till the last couple of seconds), who has successfully turned himself invisible, but is also going mad, thanks to the monocane he has used as part of his experiments. He keeps getting interrupted at the inn, (a superb looking place, supposedly situated in Iping, Sussex), while trying to find an antidote, then goes on the rampage, after unsuccessfully trying to recruit his rival in love (for Flora Cranley, daughter of Doctor Cranley) as his partner. The effects are really excellent for the time, a few of them obvious, but some take a bit of working out. The end of the film is rubbish and over too quickly, and Gloria Stuart's over the top histrionics as Flora got on my nerves, but it was still good. Doctor Cranley was played by Henry Travers (from It's A Wonderful Life ), and l would normally say it would have been interesting to see Boris Karloff playing the invisible man, as he was the studios first choice, ( he wanted too much money), but of course, l would not have seen him until the end anyway. The book by H. G. Wells, (The Invisible Man 1897) does not have The Invisible Man going mad, but his exaggerated speeches in the movie about how he could rule the World were a bit of a laugh, but closely followed after the film's release by the real life threats of Adolf Hitler (which were not as funny).









An early (1952) film directed by Ingmar Bergman, this has some women (waiting, of course) telling stories to each other, about their young relationships, infidelity and unhappiness (shown in flashback). Another laugh a minute film from the man who also directed one of my favourite films, (The Seventh Seal ), although there is a humorous part in a lift between Gunnar Björnstrand and Eva Dahlbeck. It's old, black and white, and subtitled. What's not to like? It certainly passed some time on another gloomy summers day.
This was sent as a reply to Mike Peterson in 1971 from Hunter S. Thompson, full story at http://www.lettersofnote.com/2011/07/jam-this-morbid-drivel-up-your-ass.html.