Myself and the FPO went to Teesside Park to see Django Unchained last month, as we wanted to view it on a large screen with surround sound, thinking that it would look and sound so much better than on an (albeit large) TV, and we could immerse ourselves in the story more.
We were glad we had made the effort, as it was just the type of movie we were hoping for from Quentin Tarantino, overblown, violent, and funny, but with a serious tale to tell relating to the slaves and their treatment.
Some critics have argued about the constant references to 'niggers', but if this film was to portray an in any way realistic view of the old wild west, with all the old prejudices intact and in your face, the language used had to reflect that era, otherwise it could come across as old westerns did, with plenty of shooting, fighting and killing, but with no blood or swear words (and rapid recovery from fights!). There's a place for those type of films as well, and l am also a big fan of them, but it's sometimes a good thing to bear witness to a representation of how brutal and unflinching those times were.
The screenplay and casting was excellent and believable, with some standout performances from Samuel L Jackson and Leonardo DiCaprico, but for me, Christoph Waltz stole the movie. Softly spoken, and full of mischief and unexpected surprises, he has rightly been awarded the plaudits for doing so.
With plenty of dialogue and shootings (from Tarantino!!?), and with a romantic quest thrown into the mix, it's a film l will be revisiting again in the years to come. The original 'Django' (Franco Nero) even makes an appearance and was well spotted by the FPO.
The soundtrack album is also worth checking out, despite the fact it does not contain Richie Havens' version of 'High Flyin' Bird' (which is in the movie). Sacrilege!
toodle pip
No comments:
Post a Comment