It's David and Jean! (not really)
It's Jean! (not really)
It's a pretty young Bailey! (not really)
It's an iconic shot (really)
Gor blimey guvn'r, this was a right old carry on, and no mistake.
We'll Take Manhattan follows the young David Bailey and Jean Shrimpton, as they travel to Manhattan in 1962 for a Vogue photographic assignment, with the Vogue old guard in tow to keep an eye on them.
Of course Bailey ignores instructions, demands Shrimpton is used, shoots the pictures his own way (Whaat! No tripod!) and is applauded as a genius on his return.
It's a love story between Bailey and Shrimpton, and a clash of the old and new, but it was like watching Dick Van Dyke in Mary Poppins, just totally unbelievable.
The cockerneee was either over the top, hardly there at all, or the rhyming slang just weren't right (Surely it should have been 'Eartha's', not 'Eartha Kitt's').
Although Karen Gillian is attractive, she is not in the same class as 'The Shrimp', as there is just some magical element missing that is (admittedly) hard to define. They should have put a wig on Aneurin Barnard (who played Bailey) and used him as the model instead, the handsome young self confident tyke.
A right old cockernee knees up laugh out loud and slap your thighs program, but not in the way the makers would have wanted it to be.
Bailey even gets to slag of the Beatles who he hears singing 'Love Me Do' on the flight home (he doesn't like skiffle). That was ironically shoehorned in to represent the new world coming.
Slapped wrists all round (and cancel the pearl necklace's).
Alright guv' (Now jog on).